Music Appreciation: Approaching the Past from the Present
Product Details
Author(s): Demmond Edward
ISBN: 9781644962114
Edition: 1
Copyright: 2020
Available Formats
Format: GRLContent (online access)
$84.00
Overview of
Music Appreciation: Approaching the Past from the Present
Table of Contents
Chapter 1
The Material of Music
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Chapter 2
Melody: A Musical Line
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Chapter 3
Musical Form
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Chapter 4
Scales-Important Building Blocks
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Chapter 5
Harmony-Making It Sound Right
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Chapter 6
Rhythm and Meter
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Chapter 7
Tempo and Dynamics
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Chapter 8
Musical Texture
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Chapter 9
Music and Words
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Chapter 10
Voices
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Chapter 11
Western Musical Instruments
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Chapter 12
Musical Ensembles
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Chapter 13
Overview: It Started a Long Time Ago...
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Chapter 14
Medieval Chant and The Mass
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Chapter 15
The Birth of Polyphony
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Chapter 16
The Medieval and Renaissance Motet
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Chapter 17
Musical Schisms: Challenging Changes
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Chapter 18
Medieval Songs - Simple & Complex
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Chapter 19
The Renaissance Madrigal
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Chapter 20
Ancient Instrumental Music
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Chapter 21
A Revolution of Thought
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Chapter 22
The Evolution of Opera
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Chapter 23
Sacred Response - The Oratorio
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Chapter 24
Sacred Response - The Cantata
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Chapter 25
I Remember When - The Baroque Suite
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Chapter 26
Vivaldi and the Baroque Concerto
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Chapter 27
The Return of Sacred Polyphony: The Fugue
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Chapter 28
Classicism—Perfecting the Message
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Chapter 29
Haydn and Classical Chamber Music
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Chapter 30
Haydn and the Symphony
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Chapter 31
Mozart, Chamber Music, and Small Forms
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Chapter 32
Mozart and The Classical Concerto
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Chapter 33
Making It Real: Mozart, Opera, and Beyond
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Chapter 34
Beethoven’s Amazing Innovations and Crossovers
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Chapter 35
Beethoven and the Symphony in Transition
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Chapter 36
The Romantic Era Overview
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Chapter 37
Schubert, Schumann, and the Song
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Chapter 38
Chopin and the Piano
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Chapter 39
Hensel and Programmatic Piano Music
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Chapter 40
Program Music—Read Me First
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Chapter 41
Nationalism—Speaking Out
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Chapter 42
Tchaikovsky and the Ballet—Makin’ the Right Moves
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Chapter 43
Brahms and Romantic Music—Absolutely Classic or Not
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Chapter 44
Verdi and Italian Romantic Opera
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Chapter 45
Wagner and German Opera—Total Art
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Chapter 46
Twentieth Century—Making Things Modern
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Chapter 47
Puccini, Verismo, and the Exotic Allure Manage Edit Copy Remove Print View
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Chapter 48
Richard Strauss’ Opera Salome Manage Edit Copy Remove Print View
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Chapter 49
Debussy, Impressionism, and Their Implications Manage Edit Copy Remove Print View
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Chapter 50
Schoenberg and Expressionism—Mindful Thinking Manage Edit Copy Remove Print View
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Chapter 51
Anton Webern—Getting to the Point Manage Edit Copy Remove Print View
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Chapter 52
Berg and Expressionist Opera Manage Edit Copy Remove Print View
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Chapter 53
Stravinsky and Russian Rites Manage Edit Copy Remove Print View
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Chapter 54
Bartók, Musicology, Neo-Classicism, and Beyond Manage Edit Copy Remove Print View
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Chapter 55
Twentieth-Century Nationalism in the Americas—Don’t Forget Us! Manage Edit Copy Remove Print View
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Chapter 56
Avant-garde—Pushing Boundaries Manage Edit Copy Remove Print View
Visions of a Banshee
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Chapter 57
Minimalism—Saying It Again and Again, and Again Manage Edit Copy Remove Print View
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Chapter 58
A Brief Jazz Survey Manage Edit Copy Remove Print View
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Chapter 59
A Brief Survey of Broadway Manage Edit Copy Remove Print View
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Chapter 60
A Brief Survey of Film Music Manage Edit Copy Remove Print View
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Chapter 61
What Electricity Hath Wrought (Electronic Music)? Manage Edit Copy Remove Print View
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Chapter 62
World Music Survey: Africa, Caribbean, Middle East Manage Edit Copy Remove Print View
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Chapter 63
World Music Survey: China, Japan, India Manage Edit Copy Remove Print View
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